He essayed the bass solos in part one of Handel’s Messiah with Las Vegas Philharmonic, appeared as Maximillian in Candide with Syracuse Opera, and Escamillo with Florentine Opera in their production of Tragedy of Carmen. With Opera Santa Barbara, he debuted the role of Sharpless in Madama Butterfly, followed by performances as the baritone soloist in Carmina Burana with Wichita Symphony Orchestra. Luis began the 2019-2020 season with Cincinnati Opera singing Harlekin in Ariadne auf Naxos, Opera in Williamsburg singing Zurga in The Pearl Fishers, then joined Opera Roanoke to sing Silvio in their production of Pagliacci. Cancellations included his role debut as Giorgio Germont in La traviata with Dayton Opera, and Diego in Frida with Opera Southwest. Gallen, performed Escamillo in Carmen with Pensacola Opera. He also joined Minnesota Opera for their Beyond the Gala event.ĭuring the COVID-19 impacted 2020-2021 season, Luis Orozco made his Swiss debut as Riolobo in Florencia en el Amazonas with Theater St. Luis also made house debuts with Virginia Opera singing Marcello in La bohème, Opera Maine singing Belcore in L’elisir d’amore, Intermountain Opera singing Count Almaviva in Le nozze di Figaro, and made his French debut with Opera National de Lyon singing Payador in Maria de Buenos Aires. Luis Orozco made his Metropolitan Opera debut at the start of the 2021-22 season as the Prime Minister in Cinderella.
Praised for his “voluminous baritone and beautiful legato.”ĭuring the 2022-23 Luis Orozco returns to the Metropolitan Opera as a Flemish Deputy in Don Carlos, and returns to Nashville Opera as Marcello in La bohème. An El Paso, Texas native, Mexican-American Baritone Luis Alejandro Orozco has been
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